Punjabi Qawwali Songs Mp3 Download !!BETTER!!
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Listen online or download all the latest and old Qawwali Mp3 by every Qawwal from all over the world. Our site provides you with all the best and latest a to z qawwali for free download. Thenaatsharif.com is a site where you find the best audio qawwali online and download qawwali songs by all artists. Our team works hard to find you the best-quality Mp3 Qawwali of 2021 and 2022 Online for free.
Nusrat Fateh Ali khan is known king of qawwali they recorded hundreds of qawwali which you can listen to on this page for free. here is a list of some best NFAK Qawwali mp3s that you can download for free.
In qawwali, the lyrics are composed in qual or qalbana. Qual refers to Arabic verses that sing praises of the Prophet or his divine sayings. Combined with tarannum or melody, it creates a complete musical repertoire. The songs are also composed in qalbana which refers to verses that are derived from Arabic and Hindi.
Later, several other acclaimed vocalists such as Rahat Fateh Ali Khan, Abida Parveen, Farid Ayaz, and Sabri Brothers worked towards making qawwali songs enjoyable for the contemporary audience across the globe, while keeping the traditional flavor intact as well.
Ustad Nusrat Fateh Ali Khan (October 13, 1948 - August 16, 1997) was primarily a singer of Qawwali, the devotional music of the Sufis, a mystical offshoot of Islam. Traditionally, Qawwali has been a family business. Nusrat's family (originally from Afghanistan, though they had been living in Pakistan for a large part of their lives) has an unbroken tradition of performing qawwali for the last 600 years. Nusrat took over his family's qawwali party in 1971 after the death of his father and his uncle. In Pakistan, his first major hit was the song Haq Ali Ali. This was performed in a traditional style and with traditional instrumentation, and featured only sparse use of Nusrat's innovative sargam improvisations. Nevertheless the song became a major hit, as many listeners were attracted to the timbre and other qualities of Nusrat's voice. He reached out to Western audiences with a couple of fusion records produced by Canadian guitarist Michael Brook. In 1995, he collaborated with Eddie Vedder on the soundtrack of Dead Man Walking. His contribution to that and several other soundtracks and albums (including The Last Temptation of Christ), as well as his friendship with Peter Gabriel, helped to increase his popularity in Europe and the United States. Peter Gabriel's Real World label released five albums of Nusrat's traditional Qawwali performances in the West. He also performed traditional Qawwali live to Western audiences at several WOMAD world music festivals. Nusrat was noted for introducing other forms of improvisation into the style. From his classical music training, he would interject much more complex alap improvisations, with more vibrato and note bending. He would also interject sargam improvisations. While it is undoubtedly difficult to put into words what makes Nusrat's music appeal so deeply to so many listeners, many of whom do not understand a single word of the languages he sings in, here is one fan's attempt to explain: Nusrat's music invites us to eavesdrop on a man communing with his God, ever so eloquently. He makes the act of singing a passionate offering to God. But we do not merely eavesdrop. The deepest part of Nusrat's magic lies in the fact that he is able to bring our hearts to resonate with the music, so deeply, that we ourselves become full partners in that offering. He sings to God, and by listening, we also sing to God. Singing with Nusrat was pretty heavy, says Eddie Vedder. There was definitely a spiritual element. I saw him warm up once, and I walked out of the room and just broke down. I mean, God, what amazing power and energy. The late American rock singer Jeff Buckley paid tribute to Nusrat on the album Live at Sin-. In his introduction, he states, Nusrat, he's my Elvis, before performing the song Yeh Jo Halka Halka Saroor Hai. This recording generated interest in Nusrat among an audience that was previously unaware of his music. In 2005, a tribute band called Brook's Qawwali Party was formed in New York City by percussionist Brook Martinez to perform the music of Nusrat Fateh Ali Khan. The 11+ piece group performs (mostly instrumental) jazz versions of Nusrat's traditional qawwali songs, using the instruments conventionally associated with jazz (saxophones, brass, electric guitar, double bass, djembe, drum set, and percussion) rather than those associated with qawwali. User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
The songs which constitute the qawwali repertoire are primarily in Persian, Urdu, Hindi, and Punjabi. There are some in Persian from the Mughal era, and a smattering in Saraiki and dialects of north India like Braj Bhasha and Awadhi. There is also qawwali in some regional languages but the regional language tradition is relatively obscure. Also, the sound of the regional language qawwali can be totally different from that of mainstream qawwali. This is certainly true of Chhote Babu Qawwal, whose style of singing is much closer to the Bengali Baul music than to the qawwali of Nusrat Fateh Ali Khan, for example.
The longest recorded commercially released qawwali runs slightly over 115 minutes (Hashr Ke Roz Yeh Poochhunga by Aziz Mian Qawwal). The qawwali maestro Nusrat Fateh Ali Khan has at least two songs that are more than 60 minutes long.
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